Good GRL Co
At Good GRL Co., we are a wild, untamed force—untethered by society’s rules and the narrow gaze of a patriarchal world. As a Dance Theater company, we dig deep into personal experience, unleashing fierce, unfiltered truths. Our work is a rebellion, a celebration of the unique and unapologetic.
Led by Artistic Director Madeleine Gregor, we create a space where authenticity thrives—where our community is empowered to reject validation, embrace their own journeys, and stand in their truth. Fearless, raw, and emotional, we create art as unpredictable and real as the human spirit. We push boundaries, honor individuality, and tell stories that are as wild, untamed, and beautiful as we are. We dare to question, feel, and, above all, be free.
Good GRL Co. unites and transforms people through sensation and humanness. Here, nothing is untouched, and nothing goes unspoken. This is where liberation begins. This is where change lives.
Artistic Director Madeleine Gregor
Madeleine Gregor (she/her) is a movement artist located in Seattle, WA. Her dance works explore and distill unique emotions and life experiences to provide a communal theatrical experience. Blurring the lines between artist and audience, she creates space to unite people through sensation and humanness. This exploration provides each individual an opportunity to become a part of what they see, transcending the role of an observer. Madeleine’s artistic process expands beyond dance both in research and performance; including writing and speaking poetry, assembling collages, and painting.
A midwest transplant, Gregor grew up in Fargo, ND and began her training at Camria Ballet Academy. She attended the University of Wisconsin, Stevens Point and received her BA in Dance. Through her professor Michael Estanich, Gregor found her love for Dance Theatre work, where the ability to combine spoken word, dance, song, and projection combines to form one beautifully woven masterpiece. While at university, she was able to train and learn from artists such as Larry Keigwin, Brenda Buffalino, Autumn Eckman, Ben Wardell, Elijah Labay and others. During her summers she was a member of BLUR, an experimental theater company that brought their devised musical The Great Gatsby to perform at the Edinburgh Fringe Festival.
Beginning the fall of 2021 Madeleine held the role of Artistic Director of Coriolis Dance until the Spring of 2024 when the organization made the decision to dissolve. In her time as Artistic Director Madeleine produced and choreographed two evening length works, The Art of Seafaring 2022 and Girl in Late August which had a sold out run at Yaw Theater in 2023. In addition, she spearheaded a collaboration with Stella Kuntz of Yaw Theater to create a new dance festival Wielding Forms Dance Festival which asked artists to create new works that incorporated chance elements determined by the audience. During her time Coriolis took part in community festival performances such as SpringShot at 18th and Union and Launch at ExitSpace; and was awarded residencies from Centrum at Fort Warden in Port Townsend, as well as The Being Mode at The Shed in Seattle. As a performer she has had the pleasure to work with a wide array of Seattle artists including Christin Call, Natascha Greenwalt, Rainbow Fletcher of Hypernova Dance, Karin Stevens, Beth Terwilliger of The Gray, Tabitha Steger, Bridget Kirk, Nicole Flores, Megan Margaret Moore, Shane Donohue, Liz Houlton, and Alyssa Casey.
